Burning
Spear
September 24th, 2005, Gothic Theater
Denver, Colorado
Review by Philo for Reggae Movement,
Pictures by
JBella Studios
for Reggae Movement
A Bill
Bass Show
Each year which passes brings the inevitable that much
closer to becoming reality; that Winston Rodney, aka Burning
Spear, will no longer bless reggae fans with his presence with the most
spiritual uplifting show that the reggae genre may offer.
This past weekend, a packed house in Denver, Colorado had
the pleasure of welcoming "The Spear" to the Gothic Theater in a show
not to be soon forgotten by any fan who had the fortunate luck to have
made sure that they didn't miss this "must see" show.
Burning Spear, along with his Burning Band, will always
set the bar for what all other reggae acts will be measured by, both
today and for the immediate future. His stoic disposition inspires
both awe and a realm of majestic that not many acts, inside and outside
of reggae, are able to match.
Four days following the release of his latest offering, "Our Music,"
The Spear was in top form and seemed ageless in his 36th year of
performing. The Burning Band, arguably the best in the business,
briefly set the stage for what was to come. Entering the stage,
humble and mellow with little introduction, Mr. Rodney got right to
work opening with "Don't Trouble the Rastaman."
Due to his stoic disposition, where he
hardly demonstrated any physical energy, each of Spear's performances is
as equally spiritually and mesmerizing as the next. It's
almost as if the intense driving force of the band, and just his
presence, is powerful enough. As with most of his performances, the
initial reaction by any crowd is to expect more. However,
after the band wasted little time transitioning to some of the expected
tracks like "Creation Rebel" and Rodney's timeless tribute to "Marcus
Garvey," Spear began to beat the bongos on this track with a
perfect dub outt drum and bass, and time was all it took to win over the
crowd.
Something special about this time around
was the return of The Spear reacting to the crowd. In recent
years, Spear has become a bit of a recluse on stage, merely performing
the spirituality that is his intense message. With the crowd
feeding off the intensity of his message, The Spear fed equally off the
crowd well beyond his trademark call "Talk To me People if you want some
more." From bird calls, to intentional laughter, to the simple
call to Rastafari, the crowd showed praise and appreciation
throughout.
In past experience at his shows, hearing
the crowd sing along is not the norm, but on this particular Saturday
night, the crowd chanted along to one of Rodney's first studio
recordings, "Rocking Time." Absolutely Priceless! On a
similar note, I can't ever remember Spear plugging a new album in the
past, but last night on several occasions he pleaded with the crowd to
go to the record stored today to pick up the much anticipated "Our
Music." He gave a taste of a few tracks from the CD, and even
showed some dance moves, letting everyone know he has no intention of
slowing down.
Burning Spear commanded our attention for every second of the two hour
performance. The band was energetic the whole show, not missing a
beat, and looking at times as if they were posing for photographs.
The encore left the crowd hungry for more, closing with live favorites like
"Happy Day," "Slavery Days," and Rodney proclaiming "Slavery Days
bring on African Postman." He made his final exit stating that he
"hopes we can do this again in the future," and you know we will. The
performance was simply incredible.
Until Next Time, Keep the Spear Burning!
Reviewed By Philo for the Reggae Movement.